[dNASAb] Photography_"Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7 " 2022

 "Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7 " 2022

Photograph.Glossy pigment print mounted on aluminum with UV plexiglass edition of 7 + 2 AP

42" H (x) 27.94" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

"...Its this interplay between the fragility and resilience of both plastics and life,that excites me about our tenuous relationship with the "plasticene" and the natural world...."

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

[dNASAb]_Photography _"Faux Ecologies +Artificial Reefs of the Metaverse _Obscene Plasticene Daydream_ " 2022

"Faux Ecologies + Artificial Reefs of the Metaverse _Obscene Plasticene Daydream_ " 2022 

Photograph.Glossy pigment print mounted on aluminum with UV plexiglass

edition of 7 + 2 AP

42.6" H (x) 32" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

....Transparent and reflective, space-age, gorgeously absurd and timely _lavish underwater forms animated to create  faux ecologies, imaginary environments, and possible visions of the "Post-human Coral Gardens of the Anthropocene".....[dNASAb]

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

[dNASAb] Video Sculpture _Mediated Reef ECOsystem____"Obscene Plasticene Daydream; LCD Coral Polyp #4" 2021

 

"Obscene Plasticene Daydream; LCD Coral Polyp #4"

[Mediated Reef ECOsystem]___video sculpture 2021_

LCD screen, reclaimed ocean styrofoam, upcycled marine debris+plastics from beach cleanups (bottle caps,syringe,kids toys,monofilament,..) screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, fiber optics, LED's, unique 4K video of Coral Reefs in South Florida remixed with HD 4K video of Ocean plastics on shoreline. 

DETAIL___"Obscene Plasticene Daydream; LCD Coral Polyp #4"

“Like an Ocean gyre , a vortex of artifacts of a consumption based contemporary society such as; plastic bottles and bags, fishing nets, and helium balloons become en-snarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.”[dNASAb]

[dNASAb]  ©__"The real enemy is the disneyfication of everything." _

"Aquascaping PARASPACE" screens on a 27 screen video wall October 5 – October 30, 2015

PARASPACE

"the condition of hyperspace [that] is itself insane"

- Barry Malzberg, Galaxies

"Aquascaping PARASPACE, Video re-contextualization of the living marine reef ecosystem" on the 27 screen video wall at IFP by [dNASAb] 2015

October 5 – October 30, 2015

Made in NY Media Center by IFP - 30 John Street, Brooklyn, NY 11201

  This exhibition explores ways in which contemporary artists using digital tools address cyberspace, body, and nature in the post internet time. The selected artists use animation, 3D computer graphics, video, and glitches to model virtually simulated scenes out of the detritus of internet and consumer culture. Paraspace  presents an imploded realm where the ontological status of subject and landscape is opened to question and position for redefinition.Curated by Andrea Wolf and CHiKA.

more info

"Aquascaping Para-Space, Video re-contextualization of the living marine reef ecosystem" 2015
1:30 min, 24 fps, 1080p HD excerpt of a larger composition to be screened on a 27 screen video wall by [dNASAb] 2015