[dNASAb] Photography_"Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7 " 2022

 "Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7 " 2022

Photograph.Glossy pigment print mounted on aluminum with UV plexiglass edition of 7 + 2 AP

42" H (x) 27.94" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

"...Its this interplay between the fragility and resilience of both plastics and life,that excites me about our tenuous relationship with the "plasticene" and the natural world...."

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

[dNASAb]_Video Sculpture_"Obscene Plasticene Daydream; LCD Artificial ReefLine /Faux Ecologies" 2022

 

“Water and air, the two essential fluids on which all life depends, have become global garbage cans.”

~ Jacques-Yves Cousteau

"Obscene Plasticene Daydream; LCD Artificial ReefLine /Faux Ecologies"

_video sculpture 2022/_

__ LCD screen, reclaimed ocean styrofoam, upcycled marine debris+ plastics from beach cleanups (bottle caps,syringe,kids toys,monofilament,..) screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, fiber optics, LED's, unique 4K video of temporary sculptures filmed underwater on Coral Reefs in South Florida

“The global problem of plastic waste and pollution will end when we decide to take action. Not just collectively, but as individuals who make conscious decisions about our daily purchases. __ It is up to us all to be the change we want to see in the pursuit of sustainable living, zero waste, and a cleaner environment.”

"...Its the dynamic interplay between the fragility and resilience; of plastics and the natural world; that inspire me to make innovative artworks, utilizing reclaimed materials in an effort to highlight this tenuous relationship…”

[dNASAb] __"The real enemy is the disneyfication of everything."

[dNASAb]_Photography _"Faux Ecologies + Artificial Reefs of the Metaverse _Obscene Plasticene Daydream_#4" 2022

 

"Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #4 " 2022

Photograph.Glossy pigment print mounted on aluminum with UV plexiglass

edition of 7 + 2 AP

48" H (x) 33.6" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

"...Its this interplay between the fragility and resilience of both plastics and life,that excites me about our tenuous relationship with the "plasticene" and the natural world...."

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

[dNASAb]_Photography _"Faux Ecologies +Artificial Reefs of the Metaverse _Obscene Plasticene Daydream_ " 2022

"Faux Ecologies + Artificial Reefs of the Metaverse _Obscene Plasticene Daydream_ " 2022 

Photograph.Glossy pigment print mounted on aluminum with UV plexiglass

edition of 7 + 2 AP

42.6" H (x) 32" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

....Transparent and reflective, space-age, gorgeously absurd and timely _lavish underwater forms animated to create  faux ecologies, imaginary environments, and possible visions of the "Post-human Coral Gardens of the Anthropocene".....[dNASAb]

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

[dNASAb]_Underwater Photography_[WIP]_”Secretive Psychedelic Ocean creatures of the Dark Atlantic Water column” UHD Underwater photographs.

 ”Secretive Psychedelic Ocean creatures of the Dark Atlantic Water column” [WIP]

 UHD Underwater photographs of sculptural deep water interventions.

#blackwaterdiving #scubadiving #underwaterphotography #art #psychedelicart #imaginarycreatures #coralreef #sculptinglife #aquascaping #sculpture #darkwater #scuba #psychedelica #macrophotography #dnasab #plasticene

[dNASAb] ©__"The real enemy is the disneyfication of everything." _

"Night diving is amazing. Once the sun sets, a new cast of nocturnal animals replace the reef dwellers of the day, and in the narrow beam of your torch, true colors are revealed in all their vivid glory." 

[dNASAb]_Video Art_ “Obscene Plasticene Daydream_ Biscayne Bay Restore (You can't have Blue without Green)" #4_ 1 of 1, excerpt, UHD 4k at 24 fps. (filmed in the nutrient rich, sea grass nurseries of Biscayne Bay)

 

[Video Still]_Obscene Plasticene Daydream_ Biscayne Bay Restore (You can't have Blue without Green)" #4_ 1 of 1, excerpt, UHD 4k at 24 fps. (filmed in the nutrient rich, sea grass nurseries of Biscayne Bay)

 “Obscene Plasticene Daydream_ Biscayne Bay Restore (You can't have Blue without Green)" #4_ 1 of 1, excerpt, UHD 4k at 24 fps. (filmed in the nutrient rich, sea grass nurseries of Biscayne Bay)

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

 [dNASAb] is not fascinated with the calcium carbonate skeletons of dead corals or the fetishization of lifeless fossils. His love is born by the hyper specialized patterns, the insane fluorescent colors, the motion of the corals in the flow, and the symbiosis of different species collaborating to thrive. That is why he sets forth to refurbish them with color and dynamic sculptural components. He creates sculptures in the studio from the rubbish and other reclaimed materials. The finished sculptures then get re-integrated, temporarily, to the environment from which it's materials and inspiration were salvaged. The sculptures are filmed in varying depths, at different times of day and night, via underwater photography and scuba diving_ in an effort to "restore beauty to the entire ecosystem, if only temporarily"

[dNASAb] ©__"The real enemy is the disneyfication of everything." _

[Video Stills]_Obscene Plasticene Daydream_ Biscayne Bay Restore (You can't have Blue without Green)" #4_ 1 of 1, excerpt, UHD 4k at 24 fps. (filmed in the nutrient rich, sea grass nurseries of Biscayne Bay)

[dNASAb]_Video Art_"Obscene Plasticene Daydream_Derelict Reef Resiliency/Refurbishment #4" 1 of 1, excerpt of 2.48 min video, UHD 4k at 24 fps _

[Video Still]__"Obscene Plasticene Daydream_Derelict Reef Resiliency/Refurbishment #4" 1 of 1, excerpt of 2.48 min video, UHD 4k at 24 fps

"Obscene Plasticene Daydream_Derelict Reef Resiliency/Refurbishment #4" 1 of 1, excerpt of 2.48 min video, UHD 4k at 24 fps

"...the near-shore reefs of South Florida are resilient, but under constant evolving threats.To create these videos [dNASAb] removes derelict fishing gear (lines, lures, leaders ,hooks,and the other collateral debris) from the reef while scuba diving and he collects coral fossils, sea fans, sponges, and marine debris from the South Florida beaches. Stony Coral tissue loss disease [and other diseases that affect coral], indiscriminate boat anchoring on reefs, detrimental water quality issues; and of course, the rising Ocean temperatures from Climate change. It is estimated that over 500,000 coral deaths just in Miami-Dade county alone due to Stony Coral Tissue Lost disease, and there is nearly no way to calculate the amount of corals and sea-fans ripped off the reef by anchors. That will die in the sand."

Its heart-breaking. [dNASAb] is not fascinated with the calcium carbonate skeletons of dead corals or the fetishizing of lifeless fossils. His love is more focused on the hyper specialized patterns, the insane fluorescent colors, the motion of the corals in the flow, and the symbiosis of different species collaborating to thrive. That is why he sets forth to refurbish them with color and dynamic sculptural components. He creates sculptures in the studio from the rubbish and other reclaimed materials. The finished sculptures then gets re-integrated, temporarily, to the environment from which it's materials and inspiration were salvaged. The sculptures are filmed in varying depths, at different times of day and night, via underwater photography and scuba diving_ in an effort to "restore beauty to the entire ecosystem, if only temporarily"

#art #sculpture #extinctionrebellion #ocean #reclaimedplastic #reeftank #artivism #oceanartist #plastic #SculptingLife #coral #coralreef #science #underwaterphotography #oceanoptimism #wip #reef #xr #livingart #sculpture #ocean #metaverse #meta #scuba #upcycle @dnasab

[dNASAb] ©__"The real enemy is the disneyfication of everything." _

[Video Stills]__"Obscene Plasticene Daydream_Derelict Reef Resiliency/Refurbishment #7" 1 of 1, excerpt of 2.48 min video, UHD 4k at 24 fps

[dNASAb] Video Sculpture "Coral Head_Screens for Eyes, Plastic Shit for Brains_Obscene Plasticene Daydream #4" 2022

 [dNASAb]_Video Sculpture _

"Eyes are the window to the Soul; and anyone who can see will know the love and power of a health reef ecosystem" OR_"Coral Head_Screens for Eyes, Plastic Shit for Brains_Obscene Plasticene Daydream #4" 2022

Reclaimed ocean styro-foams, up-cycled marine debris+plastics from beach cleanups (bottle caps,syringe,kids toys,monofilament,..) LCDscreens, screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, fiber optics, LED's, unique 1 of 1 4K video of remixed montages of real Coral Reefs in South Florida remixed with HD 4K video.

“Like an Ocean gyre , a vortex of artifacts of a consumption based contemporary society such as; plastic bottles and bags, fishing nets, and helium balloons become en-snarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.”[dNASAb]

#videosculpture #art #coralreeftank #sculpture #boredbyyourshit #extinctionrebellion #ocean #reclaimedplastic #reeftank #artivism #oceanartist #plastic #SculptingLife #coral #coralreef #science #eyesarethewindowtothesoul #oceanoptimism #wip @dnasab

[dNASAb] ©__"The real enemy is the disneyfication of everything." _

[dNASAb] Video Sculpture_"Coral Head_Screens for Eyes, Plastic Shit for Brains_Obscene Plasticene Daydream #3" 2021

[dNASAb] Video Sculpture

"Coral Head_Screens for Eyes, Plastic Shit for Brains_Obscene Plasticene Daydream #3" 2021

LCD screen, reclaimed ocean styrofoam, upcycled marine debris+plastics from beach cleanups (bottle caps,syringe,kids toys,monofilament,..) screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, fiber optics, LED's, unique 4K video of Coral Reefs in South Florida remixed with HD 4K video

“Like an Ocean gyre , a vortex of artifacts of a consumption based contemporary society such as; plastic bottles and bags, fishing nets, and helium balloons become en-snarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.”[dNASAb]

#SculptingLife

#reef #xr #coralreeftank #livingart #scultinglife #sculpture #extinctionrebellion #ocean #reclaimedplastic #reeftank #artivism #oceanartist #oceanartist #plastic #SculptingLife #coral #coralreef #science #research #oceanoptimism @dnasab

[dNASAb] ©__"The real enemy is the disneyfication of everything." _

 

[dNASAb] Video Sculpture _Mediated Reef ECOsystem____"Obscene Plasticene Daydream; LCD Coral Polyp #4" 2021

 

"Obscene Plasticene Daydream; LCD Coral Polyp #4"

[Mediated Reef ECOsystem]___video sculpture 2021_

LCD screen, reclaimed ocean styrofoam, upcycled marine debris+plastics from beach cleanups (bottle caps,syringe,kids toys,monofilament,..) screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, fiber optics, LED's, unique 4K video of Coral Reefs in South Florida remixed with HD 4K video of Ocean plastics on shoreline. 

DETAIL___"Obscene Plasticene Daydream; LCD Coral Polyp #4"

“Like an Ocean gyre , a vortex of artifacts of a consumption based contemporary society such as; plastic bottles and bags, fishing nets, and helium balloons become en-snarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.”[dNASAb]

[dNASAb]  ©__"The real enemy is the disneyfication of everything." _

[dNASAb] Wynwood Studio 2021_[LCD_Blossom, RESIST Miami, Anthropocene Mobile, FUCK styrofoam,Obscene Plasticene Daydream]

 

[dNASAb] Video Sculpture "Obscene Plasticene Daydream; LCD Blooms" 2020-2021

[dNASAb] Video Sculpture "Obscene Plasticene Daydream; LCD Bloom #3" video sculpture 2021_ 39" LCD screen, reclaimed styrofoam, screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, LED's, unique HD 1080p video

 

[dNASAb] Video Sculpture "Obscene Plasticene Daydream; LCD Bloom #3" video sculpture 2021_ 39" LCD screen, reclaimed styrofoam, screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, LED's, unique HD 1080p video

[dNASAb] Video Sculpture "Obscene Plasticene Daydream; LCD Bloom #1" video sculpture 2020 32" LCD screen, reclaimed styrofoam, screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, LED's, unique HD 1080p video.

[dNASAb] Video Sculpture DETAIL_"Obscene Plasticene Daydream; LCD Bloom #1" video sculpture 2020 32" LCD screen, reclaimed styrofoam, screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, LED's, unique HD 1080p video.

[dNASAb] Video Sculpture DETAIL_"Obscene Plasticene Daydream; LCD Bloom #2" video sculpture 2020 32" LCD screen, reclaimed styrofoam, screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, LED's, unique HD 1080p video.

[dNASAb] Video Sculpture "Obscene Plasticene Daydream; LCD Bloom #2" video sculpture 2020 32" LCD screen, reclaimed styrofoam, screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, LED's, unique HD 1080p video.

"Aquascaping the Anthropocene" projected on the Manhattan Bridge NYC. 2020

 

Light Year 67: Even though I walk through the valley of the shadow of death, I will fear no evil

Thursday, Novemeber 5th, 2020
2-10 pm (NYC time)

Light Year 67: “Even though I walk through the valley of the shadow of death, I will fear no evil” serves as a celebration and reminder to all of the beauty of life as a human being on this rock spinning around the sun. In a recent talk at TEDx San Francisco, Mel Robbins mentioned that scientists estimate the probability of your being born at about one in 400 trillion, so each and every one of us are special.

These are dark times for us all, some more than others, and to stop and reflect on the beauty of our world is needed more than ever.  The LIGHT YEAR program is presented on the Manhattan Bridge in the streets of Dumbo, Brooklyn.

Exhibition date: November 5, 2020
Total Run Time: 30:24

Participating Artists /  Country
Ernesto Gonzalez / USA - Mexico
Agni Zotis / USA - Greece
Gigi Spratley / USA
Jean-Michel Rolland / France
Keegan Luttrell / Germany
Malado Baldwin / USA
Valerie Schaller / Austria
[dNASAb] /USA
Marton Daniel Gabor, Juice / Hungary

@lightyeararts

Curated by John Ensor Parker

Aquascaping_The_Anthropocene#4" 3:14 mins, 24fps. 1080p HD video 2014-present/ongoing

Aquascaping the Anthropocene" creates a visual montage illustrating the resiliency of the coral reef,  its relationship to plastics, and a possible "optimistic future view of a post human; plasticized Ocean, in which a hybrid symbiotic relationship between the coral and the plastic gyre occurs."

 The composition consists of video documentation of a living coral sculpture made of reclaimed plastic and fiber optics composited with other videos of living coral colonies, underwater lighting, plastic sculptures, and video projection mapping.

https://youtu.be/yY78VM9v1kI

[dNASAb] __"The real enemy is the disneyfication of everything." _

[dNASAb] Released 2 NEW prints to benefit ARTSail residency program and Showfields Miami 2020

 

"Obscene Plasticene Daydream_ Anthropocene X-Pollination Station #3" 2018
Photograph.Glossy pigment print mounted on dibond with UV plexiglass
edition of 7 + 2 AP
24" H (x) 16" W

"FUCK_Climate change is real.(Seagrape)" 2020
Photograph.Glossy pigment print mounted on aluminum with UV plexiglass
edition of 7 + 2 AP
24" H (x) 16" W

Released 2 NEW prints to benefit ARTSail residency program and Showfields Miami opening.     

“Like an Ocean gyre, a vortex of artifacts of a consumption based contemporary society such as;  plastic bottles and bags, fishing nets, and helium balloons become en-snarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.” [dNASAb]

[dNASAb] X Versace

[dNASAb] Photography _ "Obscene Plasticene Daydream"

[dNASAb]
"Obscene Plasticene Daydream_
X-Pollination Formation”2018
photograph, edition of 7 + 2 AP
42" H (x) 36.28" W

"Aquascaping PARASPACE" screens on a 27 screen video wall October 5 – October 30, 2015

PARASPACE

"the condition of hyperspace [that] is itself insane"

- Barry Malzberg, Galaxies

"Aquascaping PARASPACE, Video re-contextualization of the living marine reef ecosystem" on the 27 screen video wall at IFP by [dNASAb] 2015

October 5 – October 30, 2015

Made in NY Media Center by IFP - 30 John Street, Brooklyn, NY 11201

  This exhibition explores ways in which contemporary artists using digital tools address cyberspace, body, and nature in the post internet time. The selected artists use animation, 3D computer graphics, video, and glitches to model virtually simulated scenes out of the detritus of internet and consumer culture. Paraspace  presents an imploded realm where the ontological status of subject and landscape is opened to question and position for redefinition.Curated by Andrea Wolf and CHiKA.

more info

"Aquascaping Para-Space, Video re-contextualization of the living marine reef ecosystem" 2015
1:30 min, 24 fps, 1080p HD excerpt of a larger composition to be screened on a 27 screen video wall by [dNASAb] 2015

2 New Videosculptures "Transcending the gyre_ Exquisite colonies of plasticized video symbiosis #1 + #2" 2015

"Transcending the gyre_ Exquisite

colonies of plasticized video symbiosis #1 + #2" 2015
(6) LCD screens,resin, acrylic, reclaimed/recycled plastics,
acrylic paints, salvaged driftwood, thermal formed plastics, archival imaged cast plastics,
reclaimed corals and sponges from South Florida's beaches,4 led networks, micro controllers,
media players, unique 1080p HD video

Two new videosculptures are currently on display in the window,[visible both day and night] 

"Williamsburg on Warren"
an exhibit & happening curated by Dam Stuhltrager, founder of THE WYE

featuring artwork by Mark Andreas, Ken Butler, Cris Dam, Mark Esper, Anna Frants, Ruth Marshall, Loren J. Munk, Disney Nasa Borg, Randy Polumbo, William Powhida, Carol Salmanson, Jeff Schneider, Kathleen Vance & Ryan Wolfe
            
Vernissage: JUNE 12 (6 - 10pm)
Exhibit Dates: June 12 – July 7, 2015

Venue: One Art Space
Address: 23 Warren St, NYC
Directions: A, C to Chambers
Hrs: Tues - Sat, 11:30am - 5pm

Video Documentation "Sculpting Life_Transcending the gyre_ exquisite colonies of plasticized symbiosis" 2015

"Sculpting Life_Transcending the gyre_ exquisite colonies of plasticized symbiosis" 2015
[A Re-Contextualization of the living marine reef ecosystem]
40 gallon custom acrylic aquarium,pumps, filters, actinic lights, resin,fiber optics,acrylic, reclaimed plastics, led's,thermal formed plastics, archival imaged plastics, 40 living corals,fish, shrimp, invertebrates, algae,1080p HD video with original audio track.
36 (w) X 92" (h) x 24 inches

  [dNASAb]’s most recent body of work has evolved in exciting new directions. These dynamic new works are informed via the intense observation of the living marine reef ecosystem. The artist maintains a full blown reef ecosystem in his studio in which he nurtures and propagates dozens of species of living corals, as well as the subsequent ecosystem needed for them to thrive, fish, invertebrates and bacteria. The artist refers to the reef aquarium as the “studio tank”, and as the name suggests it is a place of research into developing living sculpture. [dNASAb] conducts research utilizing new materials, species integration and optical systems in an effort to re-contextualize the reef environment.

  The underwater world has always been a source of inspiration for the artist but it’s this daily interaction with this pristine system that informs the new works in this series. The tank requires extreme measures to maintain suitable water chemistry and a sterile environment for the species to thrive, the most important step in this process is intense observation. Utilizing the same level of observation the artist has turned his discerning eye to the natural environments that are the foundations for a healthy reef. Sadly, the same standard of cleanliness does not exist in real life. What the artist has found on the beaches, in the Ocean’s, and strewn through the mangrove nurseries is horrifyingly inspirational.

  “Like an Ocean gyre, a vortex of artifacts of a consumption based contemporary society such as; plastic bottles and bags, fishing nets, and helium balloons become ensnarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.”

Special Thanks to Frederieke Taylor, Desiree Konian, Scott Williams, Larry Morris, Brian Bronzino, Warren Vanvarick, Bob Dellavechia, Ryan Michael Ford, Tyrome Salvatore Tripoli, Erik Pye, Lydia Kernodle, Justin Wood, Lauren Clark, Aquatic Visions, Sea Level Aquarium, MOTE Tropical Marine Research Lab and VoltaNY.

"Sculpting Life; A Recontextualization of the living marine reef ecosystem" by [dNASAb] 2014[Bloomberg Sculptural Aquascaping Project]

"Sculpting Life; A Recontextualization of the living marine reef ecosystem" by [dNASAb] 2014

Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3-d fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem. #fiberopticreef #futurereef  #sculptinglife #dNASAb [iphone pics of install--full release next week]