“Sculpting
Life, A re-contextualization of the living marine reef
ecosystem” #2 2014
[Bloomberg Aquascaping Project by [dNASAb]
Thermal formed plastics,hand cast archival images, 40
living corals, cast clear plastic 3d fiber optic nodes,120
led's,acrylic, fiber optics,reclaimed/recycled plastics,
aquatic resin, live rock, and a full marine ecosystem.
Wednesday, November 12, 2014
“Sculpting Life, A re-contextualization of the living marine reef ecosystem” #2 2014 [Bloomberg Aquascaping Project by [dNASAb]
Wednesday, November 05, 2014
Sculptural Aquascaping, Lake George Sculptural Aquatic Interventions 2014 by [dNASAb]
"Sculptural Aquascaping, Lake George Sculptural Aquatic Interventions" 2014 by [dNASAb]
Found materials,recycled plastics, lake stones and driftwood,aquatic resin, 32 underwater led's
Wednesday, July 16, 2014
“Sculpting Life, A re-contextualization of the living marine reef ecosystem” 2014 by [dNASAb]
“Sculpting Life, A
re-contextualization of the living marine reef ecosystem” 2014
Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3d fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.
Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3d fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.
“The
living coral reef ecosystem only covers about 1% of the ocean,”
writes the artist, “but provides a full 25% of the oceans’
biodiversity. I am awed by the extreme degree of specialization
these species have developed throughout their evolution. ”
[dNASAb]
reproduces
the shifting organic growth of the reef by allowing living
invertebrates to fasten to the work, making the sculpture part
of the living coral it seeks to mimic. In this way the
sculpture- like the reef and its inhabitants-transforms over
time. With its ability to create, regenerate, and evolve in
real-time, [dNASAb]’s work reflects the corporate culture on the
other side of the aquarium glass.
Employing
plastics,
LEDs, fiber optics, and other media, [dNASAb]’s Aquascaping Project makes the
connection between the rich biodiversity of the reef and the
accelerating social and
cultural evolution of the world we inhabit on land.
*No aquatic life was
harmed by sculpture installation or presence in the tank*
“Sculpting Life, A re-contextualization of the living marine reef ecosystem” 2014 by [dNASAb]
“Sculpting Life, A
re-contextualization of the living marine reef ecosystem” 2014
Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3d fiber optic nodes,270 led's,acrylic,fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.
Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3d fiber optic nodes,270 led's,acrylic,fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.
“The
living coral reef ecosystem only covers about 1% of the ocean,”
writes the artist, “but provides a full 25% of the oceans’
biodiversity. I am awed by the extreme degree of specialization
these species have developed throughout their evolution. ”
[dNASAb]
reproduces
the shifting organic growth of the reef by allowing living
invertebrates to fasten to the work, making the sculpture part
of the living coral it seeks to mimic. In this way the
sculpture- like the reef and its inhabitants-transforms over
time. With its ability to create, regenerate, and evolve in
real-time, [dNASAb]’s work reflects the corporate culture on the
other side of the aquarium glass.
Employing
plastics,
LEDs, fiber optics, and other media, [dNASAb]’s Aquascaping Project makes the
connection between the rich biodiversity of the reef and the
accelerating social and
cultural evolution of the world we inhabit on land.
*No aquatic life was
harmed by sculpture installation or presence in the tank*
Wednesday, July 02, 2014
BLOOMBERG’S NEWEST ART INSTALLATION: THE AQUASCAPING PROJECT
BLOOMBERG’S NEWEST ART INSTALLATION: THE AQUASCAPING PROJECT
July 1, 2014
Using mixed media – including fiber optic cables, fluorescent plastics, and LEDs – the artist [dNASAb] created a unique site- specific piece in 731 Lexington’s giant sixth floor fish tank. The artwork, called the Aquascaping Project, also employs living coral to reflect the organic, vibrant way in which our company grows and expands around the world.
Art installations in Bloomberg offices globally represent our commitment to excellence in design, innovation, access, and new technologies in the arts. Bloomberg partners with a wide-range of arts organizations.
Tuesday, July 01, 2014
"Sculpting Life; A Recontextualization of the living marine reef ecosystem" by [dNASAb] 2014[Bloomberg Sculptural Aquascaping Project]
"Sculpting Life; A Recontextualization of the living marine reef ecosystem" by [dNASAb] 2014
Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3-d fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem. #fiberopticreef #futurereef #sculptinglife #dNASAb [iphone pics of install--full release next week]
Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3-d fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem. #fiberopticreef #futurereef #sculptinglife #dNASAb [iphone pics of install--full release next week]
Monday, June 30, 2014
"Sculpting Life; A Recontextualisation of the living marine reef ecosystem" by [dNASAb] #FiberOpticReef #SculptingLife #FutureReef #Bloomberg
"Sculpting Life; A Recontextualisation of the living marine reef ecosystem" by [dNASAb] #FiberOpticReef #SculptingLife #FutureReef #Bloomberg #SculpturalAquascaping ____photo from install.
"Sculpting Life; A Recontextualisation of the living marine reef ecosystem" by [dNASAb] 2014
Thermal formed plastics,24 hand cast archival images, 70 living corals, cast clear plastic 3d fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.
Installed on June 27th and June 28th, 2014 in the Bloomberg Tower at 731 Lexington Avenue,NYC. Housed in the central 7 story Atrium known as the "Link" that overlooks the courtyard. The living sculpture resides inside of a 3,000 gallon Marine Reef Ecosystem Tank.
special Thanks to Michael Bloomberg, Patti Harris, Lauren Smiith, Beth Mazzeo, Heather Harris,Kara Finnerty, Paul Kasmin, Scott Williams, Bobby Dellavecchia, Larry Morris, Desiree Konian and everyone else who was an integral part in facilitating the actualization of a dream.
"Sculpting Life; A Recontextualisation of the living marine reef ecosystem" by [dNASAb] 2014
Thermal formed plastics,24 hand cast archival images, 70 living corals, cast clear plastic 3d fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.
Installed on June 27th and June 28th, 2014 in the Bloomberg Tower at 731 Lexington Avenue,NYC. Housed in the central 7 story Atrium known as the "Link" that overlooks the courtyard. The living sculpture resides inside of a 3,000 gallon Marine Reef Ecosystem Tank.
special Thanks to Michael Bloomberg, Patti Harris, Lauren Smiith, Beth Mazzeo, Heather Harris,Kara Finnerty, Paul Kasmin, Scott Williams, Bobby Dellavecchia, Larry Morris, Desiree Konian and everyone else who was an integral part in facilitating the actualization of a dream.
Wednesday, March 26, 2014
"Aesthetics of Decay, Design for Dying Electronics_pixel ooze" exhibited in "Separation Anxiety" at WALLPLAY, NYC
"Aesthetics of Decay, Design for Dying Electronics_pixel ooze" 2014 by [dNASAb]
1:40 mins excerpt, 1080p HD, 24 fps with original audio.
Exhibited in "Separation Anxiety" at
Wallplay gallery, 118 Orchard Street NY NY 10002
Opening Reception March 8th, 7-10pm
March 8th -April 1st._Curated by Lee Wells & Laura O'Reilly
Monday, January 20, 2014
"Demand Privacy- Art and the Loss of Anonymity in the Age of NSA Mass Data Collection.gif" 2014 by [dNASAb]
"Screenscaping #4" 2014 ,2 Channel Video Projection Mapping Sculpture by [dNASAb]
"Screenscaping #4" 2014 ,2 Channel Video Sculpture, (1) 32" LED screen,video projection mapping on a sculpture embedded with 18' of sound activated L.E.D's, Auto-start HD Media Player, 1 of 1 video/audio track.
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