[dNASAb] Photography_"Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7 " 2022

 "Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #7 " 2022

Photograph.Glossy pigment print mounted on aluminum with UV plexiglass edition of 7 + 2 AP

42" H (x) 27.94" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

"...Its this interplay between the fragility and resilience of both plastics and life,that excites me about our tenuous relationship with the "plasticene" and the natural world...."

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

[dNASAb]_Photography _"Faux Ecologies + Artificial Reefs of the Metaverse _Obscene Plasticene Daydream_#4" 2022

 

"Faux Ecologies + Artificial Reefs of the Metaverse_Obscene Plasticene Daydream_ #4 " 2022

Photograph.Glossy pigment print mounted on aluminum with UV plexiglass

edition of 7 + 2 AP

48" H (x) 33.6" W

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

"...Its this interplay between the fragility and resilience of both plastics and life,that excites me about our tenuous relationship with the "plasticene" and the natural world...."

[dNASAb]  ©__"The real enemy is the disneyfication of everything." 

https://dnasab.blogspot.com/?m=0

[dNASAb]_Video Art_ “Obscene Plasticene Daydream_ Biscayne Bay Restore (You can't have Blue without Green)" #4_ 1 of 1, excerpt, UHD 4k at 24 fps. (filmed in the nutrient rich, sea grass nurseries of Biscayne Bay)

 

[Video Still]_Obscene Plasticene Daydream_ Biscayne Bay Restore (You can't have Blue without Green)" #4_ 1 of 1, excerpt, UHD 4k at 24 fps. (filmed in the nutrient rich, sea grass nurseries of Biscayne Bay)

 “Obscene Plasticene Daydream_ Biscayne Bay Restore (You can't have Blue without Green)" #4_ 1 of 1, excerpt, UHD 4k at 24 fps. (filmed in the nutrient rich, sea grass nurseries of Biscayne Bay)

“Like a shadow that does not permit us to jump over it, but moves with us to maintain its proper distance, pollution is nature’s answer to culture. When we have learned to recycle pollution into potent information, we will have passed over completely into the new cultural ecology.” – William Irwin Thompson

 [dNASAb] is not fascinated with the calcium carbonate skeletons of dead corals or the fetishization of lifeless fossils. His love is born by the hyper specialized patterns, the insane fluorescent colors, the motion of the corals in the flow, and the symbiosis of different species collaborating to thrive. That is why he sets forth to refurbish them with color and dynamic sculptural components. He creates sculptures in the studio from the rubbish and other reclaimed materials. The finished sculptures then get re-integrated, temporarily, to the environment from which it's materials and inspiration were salvaged. The sculptures are filmed in varying depths, at different times of day and night, via underwater photography and scuba diving_ in an effort to "restore beauty to the entire ecosystem, if only temporarily"

[dNASAb] ©__"The real enemy is the disneyfication of everything." _

[Video Stills]_Obscene Plasticene Daydream_ Biscayne Bay Restore (You can't have Blue without Green)" #4_ 1 of 1, excerpt, UHD 4k at 24 fps. (filmed in the nutrient rich, sea grass nurseries of Biscayne Bay)

Video Documentation "Sculpting Life_Transcending the gyre_ exquisite colonies of plasticized symbiosis" 2015

"Sculpting Life_Transcending the gyre_ exquisite colonies of plasticized symbiosis" 2015
[A Re-Contextualization of the living marine reef ecosystem]
40 gallon custom acrylic aquarium,pumps, filters, actinic lights, resin,fiber optics,acrylic, reclaimed plastics, led's,thermal formed plastics, archival imaged plastics, 40 living corals,fish, shrimp, invertebrates, algae,1080p HD video with original audio track.
36 (w) X 92" (h) x 24 inches

  [dNASAb]’s most recent body of work has evolved in exciting new directions. These dynamic new works are informed via the intense observation of the living marine reef ecosystem. The artist maintains a full blown reef ecosystem in his studio in which he nurtures and propagates dozens of species of living corals, as well as the subsequent ecosystem needed for them to thrive, fish, invertebrates and bacteria. The artist refers to the reef aquarium as the “studio tank”, and as the name suggests it is a place of research into developing living sculpture. [dNASAb] conducts research utilizing new materials, species integration and optical systems in an effort to re-contextualize the reef environment.

  The underwater world has always been a source of inspiration for the artist but it’s this daily interaction with this pristine system that informs the new works in this series. The tank requires extreme measures to maintain suitable water chemistry and a sterile environment for the species to thrive, the most important step in this process is intense observation. Utilizing the same level of observation the artist has turned his discerning eye to the natural environments that are the foundations for a healthy reef. Sadly, the same standard of cleanliness does not exist in real life. What the artist has found on the beaches, in the Ocean’s, and strewn through the mangrove nurseries is horrifyingly inspirational.

  “Like an Ocean gyre, a vortex of artifacts of a consumption based contemporary society such as; plastic bottles and bags, fishing nets, and helium balloons become ensnarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.”

Special Thanks to Frederieke Taylor, Desiree Konian, Scott Williams, Larry Morris, Brian Bronzino, Warren Vanvarick, Bob Dellavechia, Ryan Michael Ford, Tyrome Salvatore Tripoli, Erik Pye, Lydia Kernodle, Justin Wood, Lauren Clark, Aquatic Visions, Sea Level Aquarium, MOTE Tropical Marine Research Lab and VoltaNY.

“Sculpting Life, A re-contextualization of the living marine reef ecosystem” #2 2014 [Bloomberg Aquascaping Project by [dNASAb]

“Sculpting Life, A re-contextualization of the living marine reef ecosystem” #2 2014
[Bloomberg Aquascaping Project by [dNASAb]
Thermal formed plastics,hand cast archival images, 40 living corals, cast clear plastic 3d  fiber optic nodes,120 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.

“Sculpting Life, A re-contextualization of the living marine reef ecosystem” 2014 by [dNASAb]

“Sculpting Life, A re-contextualization of the living marine reef ecosystem” 2014
Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3d  fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.

The artist [dNASAb] uses mixed media to evoke the forms, textures, and colors of the living coral reef, as well as the biodiversity of ocean life. A seasoned scuba diver, the artist seeks to share his experience of the underwater world’s perception changing power.

“The living coral reef ecosystem only covers about 1% of the ocean,” writes the artist, “but provides a full 25% of the oceans’ biodiversity. I am awed by the extreme degree of specialization these species have developed throughout their evolution. ”

[dNASAb] reproduces the shifting organic growth of the reef by allowing living invertebrates to fasten to the work, making the sculpture part of the living coral it seeks to mimic. In this way the sculpture- like the reef and its inhabitants-transforms over time. With its ability to create, regenerate, and evolve in real-time, [dNASAb]’s work reflects the corporate culture on the other side of the aquarium glass.

Employing plastics, LEDs, fiber optics, and other media, [dNASAb]’s  Aquascaping Project makes the connection between the rich biodiversity of the reef and the accelerating  social and cultural evolution of the world we inhabit on land.

*No aquatic life was harmed by sculpture installation or presence in the tank*

“Sculpting Life, A re-contextualization of the living marine reef ecosystem” 2014 by [dNASAb]

“Sculpting Life, A re-contextualization of the living marine reef ecosystem” 2014
Thermal formed plastics,24 hand cast archival images, 60 living corals, cast clear plastic 3d  fiber optic nodes,270 led's,acrylic,fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.

The artist [dNASAb] uses mixed media to evoke the forms, textures, and colors of the living coral reef, as well as the biodiversity of ocean life. A seasoned scuba diver, the artist seeks to share his experience of the underwater world’s perception changing power.

“The living coral reef ecosystem only covers about 1% of the ocean,” writes the artist, “but provides a full 25% of the oceans’ biodiversity. I am awed by the extreme degree of specialization these species have developed throughout their evolution. ”

[dNASAb] reproduces the shifting organic growth of the reef by allowing living invertebrates to fasten to the work, making the sculpture part of the living coral it seeks to mimic. In this way the sculpture- like the reef and its inhabitants-transforms over time. With its ability to create, regenerate, and evolve in real-time, [dNASAb]’s work reflects the corporate culture on the other side of the aquarium glass.

Employing plastics, LEDs, fiber optics, and other media, [dNASAb]’s  Aquascaping Project makes the connection between the rich biodiversity of the reef and the accelerating  social and cultural evolution of the world we inhabit on land.

*No aquatic life was harmed by sculpture installation or presence in the tank*