Showing posts with label video art. Show all posts
Showing posts with label video art. Show all posts

Wednesday, January 04, 2023

[dNASAb] video sculpture_" Anthropocene polyps; Filter feeding pixelated plankton_Obscene Plasticene Daydream" 2023

" Anthropocene polyps; Filter feeding pixelated plankton_Obscene Plasticene Daydream" 2023 [video sculpture]

Gorgonia ventalina (purple sea fan), reclaimed marine debris from Biscayne Bay (styrofoam,plastic bottles, prescription pill container,bottle caps, derelict fishing net, monofilament, dead sponges and corals), salvaged buoy ball, epoxy, airbrush paint. UHD Video shot underwater in Biscayne Bay and remixed with artist created content in the studio and projection mapped onto sculpture.

Gorgonia ventalina, the common sea fan and purple sea fan, is a species of sea fan, an octocoral in the family Gorgoniidae. The purple sea fan is found in the western Atlantic and Caribbean, with a range extending from Bermuda and Florida and the Gulf of Mexico to CuraƧao. It grows near the shore in shallow water in areas with strong wave action and on deeper outer reefs with strong currents down to a depth of about 15 m (49 ft). It is known to live for over 100 years.

Gorgonia ventalina is a filter feeder and. Each polyp extends its eight tentacles to catch plankton drifting past on the current. Its tissues contain symbiotic dinoflagellate Symbiodinium spp., which are photosynthetic and use sunlight to create organic carbon compounds which are then available to the host coral.




Wednesday, November 09, 2022

[dNASAb]_Video Sculpture_"Obscene Plasticene Daydream; LCD Artificial ReefLine /Faux Ecologies" 2022

 

“Water and air, the two essential fluids on which all life depends, have become global garbage cans.”
~ Jacques-Yves Cousteau

"Obscene Plasticene Daydream; LCD Artificial ReefLine /Faux Ecologies"
_video sculpture 2022/_
__ LCD screen, reclaimed ocean styrofoam, upcycled marine debris+ plastics from beach cleanups (bottle caps,syringe,kids toys,monofilament,..) screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, fiber optics, LED's, unique 4K video of temporary sculptures filmed underwater on Coral Reefs in South Florida

“The global problem of plastic waste and pollution will end when we decide to take action. Not just collectively, but as individuals who make conscious decisions about our daily purchases. __ It is up to us all to be the change we want to see in the pursuit of sustainable living, zero waste, and a cleaner environment.”

"...Its the dynamic interplay between the fragility and resilience; of plastics and the natural world; that inspire me to make innovative artworks, utilizing reclaimed materials in an effort to highlight this tenuous relationship…”

[dNASAb] __"The real enemy is the disneyfication of everything."



Monday, October 31, 2022

[dNASAb]_Video Art_"Obscene Plasticene Daydream_Derelict Reef Resiliency/Refurbishment #4" 1 of 1, excerpt of 2.48 min video, UHD 4k at 24 fps _

[Video Still]__"Obscene Plasticene Daydream_Derelict Reef Resiliency/Refurbishment #4" 1 of 1, excerpt of 2.48 min video, UHD 4k at 24 fps

"Obscene Plasticene Daydream_Derelict Reef Resiliency/Refurbishment #4" 1 of 1, excerpt of 2.48 min video, UHD 4k at 24 fps

"...the near-shore reefs of South Florida are resilient, but under constant evolving threats.To create these videos [dNASAb] removes derelict fishing gear (lines, lures, leaders ,hooks,and the other collateral debris) from the reef while scuba diving and he collects coral fossils, sea fans, sponges, and marine debris from the South Florida beaches. Stony Coral tissue loss disease [and other diseases that affect coral], indiscriminate boat anchoring on reefs, detrimental water quality issues; and of course, the rising Ocean temperatures from Climate change. It is estimated that over 500,000 coral deaths just in Miami-Dade county alone due to Stony Coral Tissue Lost disease, and there is nearly no way to calculate the amount of corals and sea-fans ripped off the reef by anchors. That will die in the sand."


Its heart-breaking. [dNASAb] is not fascinated with the calcium carbonate skeletons of dead corals or the fetishizing of lifeless fossils. His love is more focused on the hyper specialized patterns, the insane fluorescent colors, the motion of the corals in the flow, and the symbiosis of different species collaborating to thrive. That is why he sets forth to refurbish them with color and dynamic sculptural components. He creates sculptures in the studio from the rubbish and other reclaimed materials. The finished sculptures then gets re-integrated, temporarily, to the environment from which it's materials and inspiration were salvaged. The sculptures are filmed in varying depths, at different times of day and night, via underwater photography and scuba diving_ in an effort to "restore beauty to the entire ecosystem, if only temporarily"

#art #sculpture #extinctionrebellion #ocean #reclaimedplastic #reeftank #artivism #oceanartist #plastic #SculptingLife #coral #coralreef #science #underwaterphotography #oceanoptimism #wip #reef #xr #livingart #sculpture #ocean #metaverse #meta #scuba #upcycle @dnasab

[dNASAb] ©__"The real enemy is the disneyfication of everything." _

[Video Stills]__"Obscene Plasticene Daydream_Derelict Reef Resiliency/Refurbishment #7" 1 of 1, excerpt of 2.48 min video, UHD 4k at 24 fps

Monday, September 13, 2021

[dNASAb] Video Sculpture _Mediated Reef ECOsystem_____"Obscene Plasticene Daydream; LCD Coral Polyp #3" 2021

"Obscene Plasticene Daydream; LCD Coral Polyp #3"[Mediated Reef ECOsystem]___video sculpture 2021_]

  LCD screen, reclaimed ocean styrofoam, upcycled marine debris+plastics from beach cleanups (bottle caps,syringe,kids toys,monofilament,..) screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, fiber optics, LED's, unique 4K video of Coral Reefs in South Florida remixed with HD 4K video of Ocean plastics on shoreline.

 

DETAIL____"Obscene Plasticene Daydream; LCD Coral Polyp #3"[Mediated Reef ECOsystem]___video sculpture 2021_

  LCD screen, reclaimed ocean styrofoam, upcycled marine debris+plastics from beach cleanups (bottle caps,syringe,kids toys,monofilament,..) screen shipping materials, recycled plastic, epoxy, resin, airbrush paints, fiber optics, LED's, unique 4K video of Coral Reefs in South Florida remixed with HD 4K video of Ocean plastics on shoreline.


“Like an Ocean gyre , a vortex of artifacts of a consumption based contemporary society such as; plastic bottles and bags, fishing nets, and helium balloons become en-snarled with driftwood, dead coral, and seaweed creating a grotesques amalgamation of disparate materials which remarkably can still harbor life and be a sculptural framework for life to grow. I aim to develop work that embodies this contemporary conundrum.”[dNASAb]

[dNASAb]  ©__"The real enemy is the disneyfication of everything." _

http://dnasab.net
http://www.youtube.com/dnasab
http://www.instagram.com/dnasab

Tuesday, August 13, 2019

[dNASAb] Video Sculpture_"Screens for Eyes, Plastic Shit for Brains_Obscene Plasticene Daydream" 2019










[dNASAb] Video Sculpture
"Screens for Eyes, Plastic Shit for Brains_Obscene Plasticene Daydream" 2019 2-channel video sculpture_ mixed media incorporating reclaimed Ocean debris ( plastics, styrofoam buoy, straws,etc ), Coral fossil, Bamboo, personal single use plastic, airbrush paints, resin, LED's, fiber optics,and lcd screens. Video composed of "glitch-hike" remix of my own Instagram scroll. 36" H (x) 28" W (x) 29" L

[dNASAb] Video Sculpture_"Obscene Plasticene Daydream_Dinoflagellata Rubidus"





[dNASAb] Video Sculpture
"Obscene Plasticene Daydream_Dinoflagellata Rubidus"(video sculpture) 2017-2019
Reclaimed plastics and styrofoam, deconstructed flatscreen tv, led's, epoxy, airbrush paints,media player, hd video w/ sound. 52" H (x) 37" W (x) 45" L

Wednesday, October 07, 2015

"Aquascaping PARASPACE" screens on a 27 screen video wall October 5 – October 30, 2015

PARASPACE
"the condition of hyperspace [that] is itself insane"
- Barry Malzberg, Galaxies

"Aquascaping PARASPACE, Video re-contextualization of the living marine reef ecosystem" on the 27 screen video wall at IFP by [dNASAb] 2015

October 5 – October 30, 2015
Made in NY Media Center by IFP - 30 John Street, Brooklyn, NY 11201

  This exhibition explores ways in which contemporary artists using digital tools address cyberspace, body, and nature in the post internet time. The selected artists use animation, 3D computer graphics, video, and glitches to model virtually simulated scenes out of the detritus of internet and consumer culture. Paraspace  presents an imploded realm where the ontological status of subject and landscape is opened to question and position for redefinition.Curated by Andrea Wolf and CHiKA.


Thursday, March 12, 2015

Photographs of Frederieke Taylor's presentation at VoltaNY 2015 featuring the works of [dNASAb]

 "Sculpting Life_Transcending the gyre_ exquisite colonies of plasticized symbiosis" 2015
[A Re-Contextualization of the living marine reef ecosystem]
40 gallon custom acrylic aquarium,pumps, filters, actinic lights, resin,fiber optics,acrylic, reclaimed plastics, led's,thermal formed plastics, archival imaged plastics, 40 living corals,fish, shrimp, invertebrates, algae,1080p HD video with original audio track.
36 (w) X 92" (h) x 24 inches



view of Frederieke Taylor's VoltaNY 2015 booth

view of Frederieke Taylor's VoltaNY 2015 booth

view of Frederieke Taylor's VoltaNY 2015 booth

"Vortex_Plasticized Gyre #4” 2015
Resin, acrylic, reclaimed plastics, paint,
wood, thermal formed plastics, archival
imaged plastics, reclaimed corals and
sponges, led’s.
19(h) x 14(w) x 14(l) inches


"Vortex_Plasticized Gyre #1” 2015
Resin, acrylic, reclaimed plastics, paint,
wood, thermal formed plastics, archival
imaged plastics, reclaimed corals and
sponges, led’s.
54(h) x 32(w) x32(l) inches



detail__"Sculpting Life_Transcending the gyre_ exquisite colonies of plasticized symbiosis" 2015
[A Re-Contextualization of the living marine reef ecosystem]
40 gallon custom acrylic aquarium,pumps, filters, actinic lights, resin,fiber optics,acrylic, reclaimed plastics, led's,thermal formed plastics, archival imaged plastics, 40 living corals,fish, shrimp, invertebrates, algae,1080p HD video with original audio track.
36 (w) X 92" (h) x 24 inches

Wednesday, March 26, 2014

"Aesthetics of Decay, Design for Dying Electronics_pixel ooze" exhibited in "Separation Anxiety" at WALLPLAY, NYC

http://vimeo.com/88284071

"Aesthetics of Decay, Design for Dying Electronics_pixel ooze" 2014 by [dNASAb]

1:40 mins excerpt, 1080p HD, 24 fps with original audio.

Exhibited in "Separation Anxiety" at
Wallplay gallery, 118 Orchard Street NY NY 10002
Opening Reception March 8th, 7-10pm
March 8th -April 1st._Curated by Lee Wells & Laura O'Reilly

Monday, January 20, 2014

"Screenscaping #4" 2014 ,2 Channel Video Projection Mapping Sculpture by [dNASAb]

"Screenscaping #4" 2014 ,2 Channel Video Sculpture, (1) 32" LED screen,video projection mapping on a sculpture embedded with 18' of sound activated L.E.D's, Auto-start HD Media Player, 1 of 1 video/audio track.

Sunday, November 24, 2013

Excerpt of Video Art that animated the 16 channel Video Sculpture "Screenscaping Berlin _ Ƅsthetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013




1:35 min excerpt of Video Art that animated the 16 channel VideoSculpture "Screenscaping Berlin _ Ƅsthetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD 1080p audio/video tracks 120 in. x 120 in.(10 ft x 10 ft )

"The clarity of the bubbling video goo, oozing from the cracks and melted holes in the led screen, jittered glitch-y line drawings of sadness, whilst I killed it." [dNASAb]

Video Sculpture "Screenscaping Berlin _ Ƅsthetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ƅsthetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks
120 in. x 120 in.(10 ft x 10 ft )

"Screenscaping Berlin _ Ƅsthetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ƅsthetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks
120 in. x 120 in.(10 ft x 10 ft )

Monday, July 08, 2013

[dNASAb] exhibits works in "The Silver Shore" at GRAHAM gallery (est.1857) NYC- July 11th, 2013 6-8 pm.

"Dataclysmic 4", 2011. 22" LED screen, Digital Media Player, LEDs, steel, silicon, plastic, fiber optics, 720P HD video. dimensions variable. Gallery installation.

NEW YORK - On Thursday, July 11th from 6 - 8PM, GRAHAM will host an opening reception for its summer exhibition, The Silver Shore

 Graham's contemporary program began with American realism and over the years has shifted toward abstraction. The Silver Shore is a thematically curated exhibition that pays homage to the core of our contemporary program while integrating the diverse approaches and new technologies that can be found in contemporary art today.

Among the participants are artists who have a history and association with GRAHAM, artists established on the Lower East Side, and emerging artists. From the passionate realism of Diane Andrews Hall's wave paintings to the conceptual abstraction of John Zinsser's snaking rivulets of flat paint, the exhibition as a whole has the lightness and playfulness of a summer retreat. A sound installation using live data feeds to explore the tides by Adam Bach and Ellery Royston, a floating videoscape by [dNASAb], an interactive painting on digital canvas by globHammer, boundary pushing paintings by Ryan Michael Ford and Adam Parker Smith, and elegant sculptures by Afruz Amighi and Carolyn Salas are some of the diverse methods of expression brought to bear on a single theme.

Participating artists:
Afruz Amighi, Mary Armstrong, Adam Bach, Brent Birnbaum, [dNASAb], Stoney Conley, Ryan Michael Ford, globHammer, Diane Andrews Hall, Stephen Hannock, Jim Lee, Shelly Malkin, Mary McDonnell, Bruce Monteith, Andy Moses, Anna Poor, Ellery Royston, Carolyn Salas, Eric Shaw, Adam Parker Smith, Kimber Smith, Daniel John Weiner, John Zinsser

Curated by Craig Poor Monteith 
 For additional information or to request publication quality images, please contact info@graham1857.com

Friday, June 07, 2013

[dNASAb] exhibits 2 new video sculptures in [Shoot ] at Lesley Heller Workspace gallery.

"Screenscaping #2" 2013 ,7 Channel Video Sculpture, (1) 19" LED screen, (1) 7" LCD screen (5) 3.5" LCD screens , fiber optics, printed plastic, glass, metal, Auto-start HD Media Player, 1 of 1 video/audio track.
 http://youtu.be/W8Yi0Om8Y_Q 

 Exhibition: [Shoot] at Lesley Heller Workspace
54 Orchard Street New York, NY 10002
June 5 through July 3, 2013 
Opening reception: June 5, 2013, 6-8 pm

 [dNASAb] exhibits 2 new video sculptures in [Shoot ] at Lesley Heller Workspace gallery..

 [dNASAb] creates video sculptures that are based on the aesthetics created in the destruction of the screen. He begins by purchasing a brand new screen. Takes it out of the box and breaks it. During each step of the process of breaking it he photographs, in High Definition stills, the effects. He then layers those HD stills in myriads of layers in After Effects. The resulting videos “conceptually render the brand new screens; that these films are displayed on; broken, glitch-y and useless”. He then samples the best stills of the new HD video, and extrudes them into a third dimension via archival printed plastics. He juxtaposes the plastic images with clusters of lcd screens, fiber optics, LED’s, glass, mirrors, crystals and plastics on the surface of the largest screen to create the “Screenscaping” and “Aesthetics of Decay” video sculptures.

http://dnasab.net/ 
http://www.lesleyheller.com/ 
http://www.frederieketaylorgallery.com/

Wednesday, March 06, 2013

New Video Sculpture in the studio 2013,"Screenscaping #3" 2013 4 Channel Video Sculpture

"Screenscaping #3" 2013 ,4 Channel Video Sculpture, (1) 19" LED screen, (3) 3.5" LCD screens , fiber optics, printed plastic, glass, metal, Auto-start HD Media Player, 1 of 1 video/audio track

Monday, March 05, 2012

"Anonymous vs. Siri _Anonymous Message to the People, Battle Over Anonymity" by [dNASAb]

"Anonymous vs. Siri _Anonymous Message to the People, Battle Over Anonymity" by [dNASAb]



Anonymous has carefully crafted an aesthetic that surrounds their message. I have absorbed the aesthetic and manipulated it. In an attempt to enhance their aesthetic I created several unique video sculptures to incorporate into the film. The film also incorporates video projection mapping, video optics, video sculptures embedded with infrared surveillance cameras, CCTV system, LCD screens, and L.E.D's. I envision the exhibition of this project as an immersive multi-channel video installation.

Anonymous, Message to the American People "You are being Surveillanced" March1st 2012

"Anonymous,Message to the American People "You are being Surveillanced" March, 1st 2012



I am not a Hacktivist, but rather an artist. I believe the responsibility of great art is to raise more questions than answers. This video art series is an attempt to broaden the dialog surrounding the beliefs and methods of the group Anonymous; and the intersection of our own personal freedoms, private vs. public information, and the future of Neutrality on the Internet. This video was specifically uploaded and distributed via the internet on March 1st 2012, the exact day that Google launches its new Privacy policy, allowing them to harvest and sell more of your private data. Again, in an effort to raise questions surrounding how, why and to what extent is your personal data is being mined.

Monday, October 03, 2011

[dNASAb] "Aesthetics of Decay; Design for Dying Electronics #3" 2011



"Aesthetics of Decay; Design for Dying Electronics #3" 2011, 1080p HD Video, edition of 5 + 2AP
1 min. exerpt of large multi-channel video installation.
[dNASAb]/Frederieke Taylor Gallery


This HD Video comments on the lifespan of current consumer electronics, and the inevitability of their deaths. I engage in the destruction of screens in the studio, the broken screens and the inherent designs created by the organic nature of the cracks have been photographed, studied and have influenced the aesthetics of the video. By mapping video into the broken areas and juxtaposing multiple videos within the design, a glitching video has been created. In the action of playing this video on your iPad ,computer screen or HD tv screen, you are virtually rendering your own screen broken. The dichotomy of the ever newer screen playing HD content that turns your new screen into a dying screen highlights the inevitability of the death of your own hardware. While simultaneously revealing the beauty of the decay and death of electronics and questioning the lifespan of display screens. The video actually ends with the destruction of the screen.

[dNASAb] 2011

Sunday, January 10, 2010

“dataclysmic_ LEDVHD” 2009-2010

“dataclysmic_ LEDVHD” 2009-2010
19” LED HD 720p screen, Digital Media Player, LED’s, welded steel,resin, phosphorescent silicon, plastic,fiber optics, 1 of 1 720P HD video

Frederieke Taylor Gallery presents "dataclysmic", new works by [dNASAb] Jan. 7th 2010

"dataclysmic"7 January - 20 February 2010
Opening Reception: Thursday, 7 January, 6-8pm

FREDERIEKE TAYLOR GALLERY
535 West 22nd Street, 6th Floor
New York, NY 10011
t. 646.230.0992
www.frederieketaylorgallery.com
www.frederieketaylorgallery.blogspot.com