[dNASAb] exhibits 2 new video sculptures in [Shoot ] at Lesley Heller Workspace gallery.

"Screenscaping #2" 2013 ,7 Channel Video Sculpture, (1) 19" LED screen, (1) 7" LCD screen (5) 3.5" LCD screens , fiber optics, printed plastic, glass, metal, Auto-start HD Media Player, 1 of 1 video/audio track.
 http://youtu.be/W8Yi0Om8Y_Q 

 Exhibition: [Shoot] at Lesley Heller Workspace
54 Orchard Street New York, NY 10002
June 5 through July 3, 2013 
Opening reception: June 5, 2013, 6-8 pm

 [dNASAb] exhibits 2 new video sculptures in [Shoot ] at Lesley Heller Workspace gallery..

 [dNASAb] creates video sculptures that are based on the aesthetics created in the destruction of the screen. He begins by purchasing a brand new screen. Takes it out of the box and breaks it. During each step of the process of breaking it he photographs, in High Definition stills, the effects. He then layers those HD stills in myriads of layers in After Effects. The resulting videos “conceptually render the brand new screens; that these films are displayed on; broken, glitch-y and useless”. He then samples the best stills of the new HD video, and extrudes them into a third dimension via archival printed plastics. He juxtaposes the plastic images with clusters of lcd screens, fiber optics, LED’s, glass, mirrors, crystals and plastics on the surface of the largest screen to create the “Screenscaping” and “Aesthetics of Decay” video sculptures.

http://dnasab.net/ 
http://www.lesleyheller.com/ 
http://www.frederieketaylorgallery.com/

[dNASAb] will be exhibiting new photographs from 2012 at Lesley Heller Workspace Gallery NYC , Mar. 10th 2013

"Extreme feats of the New Aesthetic_Glitchhike#3" 2012 ,archival pigment print 40" h x 31.5" w , edition of 7

[dNASAb] will be exhibiting new photographs from a 2012 series entitled "Extreme feats of the New Aesthetic" at Lesley Heller Workspace gallery in the LES, 54 Orchard Street, NYC, Opens March, 10 2013 6-8 pm reception  http://www.lesleyheller.com/

New Video Sculpture in the studio 2013,"Screenscaping #3" 2013 4 Channel Video Sculpture

"Screenscaping #3" 2013 ,4 Channel Video Sculpture, (1) 19" LED screen, (3) 3.5" LCD screens , fiber optics, printed plastic, glass, metal, Auto-start HD Media Player, 1 of 1 video/audio track

Galeria Trama "Y Picasso Cogio iPad" Barcelona,Spain exhibition

Video still of "Aesthetics of Decay, Design for Dying Electronics", 2012 , HD video currently exhibited in in Barcelona,Spain at Galeria Trama "Y Picasso Cogio iPad" [and Picasso took his iPad] ,curated by Paco Barragán

Galeria Trama, Barcelona, Spain Inaguració: "Picasso habla con Picasso" Performance de Paco Barragán i Pedro Barbeito dijous 25 octobre 2012 a les 19:30h 25 octubre / 27 novembre 2012

ART21 writes a review of "Colliding Complexities" show

ART21 + Nettrice Gaskins report on a group exhibition highlighting the complex intersections between art, science and technology.

http://blog.art21.org/2012/10/02/colliding-complexities_extreme-feats-of-the-new-york_new-aesthetic/#more-71149

 

Bricolage is a French word, with no direct equivalent in English. It connotes the process of finding out how to make things work, not from standard rules or methods but from messing around with whatever materials are on hand. This term suggests a sense of improvisation and tinkering that transforms the context and meaning of these objects, such as in works created by Sarah Sze. This is an important concept in contemporary art production and entrepreneurship. Michael Rush notes postmodern aesthetics discourse regarding how recent social-economic changes produce particular structures of feeling or cultural logics that are reflected in new art forms. Postmodernism also implies that we’ve run out of things to say. I think that we need to cast a much broader net to capture the spirit of the moment we’re in now; and expand definitions to capture innovative ideas such as the free use of digital images, objects and information. Holland Wilde writes that a bricoleur produces a “pieced-together set of representations that is fitted to the specifics of a complex situation…(it) is pragmatic, strategic and self-reflexive.” This blog post highlights artists and works as part of evolving creative practices that explore the spatial, social and cultural (techno­vernacular) dimensions of the material and virtual in a variety of ways. more…..