[dNASAb] Photography _ "Obscene Plasticene Daydream"

[dNASAb]
"Obscene Plasticene Daydream_
X-Pollination Formation”2018
photograph, edition of 7 + 2 AP
42" H (x) 36.28" W

"Aquascaping PARASPACE" screens on a 27 screen video wall October 5 – October 30, 2015

PARASPACE

"the condition of hyperspace [that] is itself insane"

- Barry Malzberg, Galaxies

"Aquascaping PARASPACE, Video re-contextualization of the living marine reef ecosystem" on the 27 screen video wall at IFP by [dNASAb] 2015

October 5 – October 30, 2015

Made in NY Media Center by IFP - 30 John Street, Brooklyn, NY 11201

  This exhibition explores ways in which contemporary artists using digital tools address cyberspace, body, and nature in the post internet time. The selected artists use animation, 3D computer graphics, video, and glitches to model virtually simulated scenes out of the detritus of internet and consumer culture. Paraspace  presents an imploded realm where the ontological status of subject and landscape is opened to question and position for redefinition.Curated by Andrea Wolf and CHiKA.

more info

"Aquascaping Para-Space, Video re-contextualization of the living marine reef ecosystem" 2015
1:30 min, 24 fps, 1080p HD excerpt of a larger composition to be screened on a 27 screen video wall by [dNASAb] 2015

2 New Videosculptures "Transcending the gyre_ Exquisite colonies of plasticized video symbiosis #1 + #2" 2015

"Transcending the gyre_ Exquisite

colonies of plasticized video symbiosis #1 + #2" 2015
(6) LCD screens,resin, acrylic, reclaimed/recycled plastics,
acrylic paints, salvaged driftwood, thermal formed plastics, archival imaged cast plastics,
reclaimed corals and sponges from South Florida's beaches,4 led networks, micro controllers,
media players, unique 1080p HD video

Two new videosculptures are currently on display in the window,[visible both day and night] 

"Williamsburg on Warren"
an exhibit & happening curated by Dam Stuhltrager, founder of THE WYE

featuring artwork by Mark Andreas, Ken Butler, Cris Dam, Mark Esper, Anna Frants, Ruth Marshall, Loren J. Munk, Disney Nasa Borg, Randy Polumbo, William Powhida, Carol Salmanson, Jeff Schneider, Kathleen Vance & Ryan Wolfe
            
Vernissage: JUNE 12 (6 - 10pm)
Exhibit Dates: June 12 – July 7, 2015

Venue: One Art Space
Address: 23 Warren St, NYC
Directions: A, C to Chambers
Hrs: Tues - Sat, 11:30am - 5pm

Photographs of Frederieke Taylor's presentation at VoltaNY 2015 featuring the works of [dNASAb]

 "Sculpting Life_Transcending the gyre_ exquisite colonies of plasticized symbiosis" 2015

[A Re-Contextualization of the living marine reef ecosystem]
40 gallon custom acrylic aquarium,pumps, filters, actinic lights, resin,fiber optics,acrylic, reclaimed plastics, led's,thermal formed plastics, archival imaged plastics, 40 living corals,fish, shrimp, invertebrates, algae,1080p HD video with original audio track.
36 (w) X 92" (h) x 24 inches

view of Frederieke Taylor's VoltaNY 2015 booth

view of Frederieke Taylor's VoltaNY 2015 booth

view of Frederieke Taylor's VoltaNY 2015 booth

"Vortex_Plasticized Gyre #4” 2015

Resin, acrylic, reclaimed plastics, paint,
wood, thermal formed plastics, archival
imaged plastics, reclaimed corals and
sponges, led’s.
19(h) x 14(w) x 14(l) inches

"Vortex_Plasticized Gyre #1” 2015
Resin, acrylic, reclaimed plastics, paint,
wood, thermal formed plastics, archival
imaged plastics, reclaimed corals and
sponges, led’s.
54(h) x 32(w) x32(l) inches

detail__"Sculpting Life_Transcending the gyre_ exquisite colonies of plasticized symbiosis" 2015

[A Re-Contextualization of the living marine reef ecosystem]
40 gallon custom acrylic aquarium,pumps, filters, actinic lights, resin,fiber optics,acrylic, reclaimed plastics, led's,thermal formed plastics, archival imaged plastics, 40 living corals,fish, shrimp, invertebrates, algae,1080p HD video with original audio track.
36 (w) X 92" (h) x 24 inches

Frederieke Taylor Gallery presents [dNASAb] at VOLTANY 2015 Art Fair, March 5- 8 2015, Pier 90, booth D19

"Transcending the gyre_ exquisite colonies of plasticized symbiosis #3"

[Sculptural Aquascaping_A Re-Contextualization of the living marine reef ecosystem]”
2015
Archival pigment print on Acrylic, edition of 7
60" x 34.4"

Frederieke Taylor Gallery presents [dNASAb] at VOLTANY Art Fair, 

Thursday March 5 through Sunday March 8 

PIER 90 [West 50th St at 12th Ave], Booth D19

“Sculpting Life, A re-contextualization of the living marine reef ecosystem” #2 2014 [Bloomberg Aquascaping Project by [dNASAb]

“Sculpting Life, A re-contextualization of the living marine reef ecosystem” #2 2014
[Bloomberg Aquascaping Project by [dNASAb]
Thermal formed plastics,hand cast archival images, 40 living corals, cast clear plastic 3d  fiber optic nodes,120 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.

Sculptural Aquascaping, Lake George Sculptural Aquatic Interventions 2014 by [dNASAb]

"Sculptural Aquascaping, Lake George Sculptural Aquatic Interventions" 2014 by [dNASAb]
Found materials,recycled plastics, lake stones and driftwood,aquatic resin, 32 underwater led's

"Sculpting Life; A Recontextualisation of the living marine reef ecosystem" by [dNASAb] #FiberOpticReef #SculptingLife #FutureReef #Bloomberg

"Sculpting Life; A Recontextualisation of the living marine reef ecosystem" by [dNASAb] #FiberOpticReef #SculptingLife #FutureReef #Bloomberg #SculpturalAquascaping ____photo from install.

"Sculpting Life; A Recontextualisation of the living marine reef ecosystem" by [dNASAb] 2014

Thermal formed plastics,24 hand cast archival images, 70 living corals, cast clear plastic 3d  fiber optic nodes,270 led's,acrylic, fiber optics,reclaimed/recycled plastics, aquatic resin, live rock, and a full marine ecosystem.

Installed on June 27th and June 28th, 2014 in the Bloomberg Tower at 731 Lexington Avenue,NYC. Housed in the central  7 story Atrium known as the "Link" that overlooks the courtyard. The living sculpture resides inside of a 3,000 gallon Marine Reef Ecosystem Tank.

 special Thanks to Michael Bloomberg, Patti Harris, Lauren Smiith, Beth Mazzeo, Heather Harris,Kara Finnerty, Paul Kasmin, Scott Williams, Bobby Dellavecchia, Larry Morris, Desiree Konian and everyone else who was an integral part in facilitating the actualization of a dream.

"Aesthetics of Decay, Design for Dying Electronics_pixel ooze" exhibited in "Separation Anxiety" at WALLPLAY, NYC

http://vimeo.com/88284071

"Aesthetics of Decay, Design for Dying Electronics_pixel ooze" 2014 by [dNASAb]
1:40 mins excerpt, 1080p HD, 24 fps with original audio.

Exhibited in "Separation Anxiety" at
Wallplay gallery, 118 Orchard Street NY NY 10002
Opening Reception March 8th, 7-10pm
March 8th -April 1st._Curated by Lee Wells & Laura O'Reilly

"Demand Privacy- Art and the Loss of Anonymity in the Age of NSA Mass Data Collection.gif" 2014 by [dNASAb]

"Demand Privacy- Art and the Loss of Anonymity in the Age of NSA Mass Data Collection.gif" 2014

Excerpt of Video Art that animated the 16 channel Video Sculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

1:35 min excerpt of Video Art that animated the 16 channel VideoSculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD 1080p audio/video tracks 120 in. x 120 in.(10 ft x 10 ft )

"The clarity of the bubbling video goo, oozing from the cracks and melted holes in the led screen, jittered glitch-y line drawings of sadness, whilst I killed it." [dNASAb]

16 screen Video Sculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks
120 in. x 120 in.(10 ft x 10 ft )

Video Sculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks
120 in. x 120 in.(10 ft x 10 ft )

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks
120 in. x 120 in.(10 ft x 10 ft )

Video Still_(new Berlin version)_" Ästhetik des Verfalls; Design for Sterben Electronics" 2013

Video Still_(new Berlin version)_ "Aesthetics of Decay;Design for Dying Electronics [Ästhetik des Verfalls; Design for Sterben Electronics]" 2013

"Mediated Nature_"to concretize that which, technically, is without existence”' 2013, Archival pigment print, 40" w x 30" h, edition of 7 by [dNASAb]

"Mediated Nature_"to concretize that which, technically, is without existence”' 2013, Archival pigment print, 40" w x 30" h, edition of 7 http://dnasab.net/photography/

[dNASAb] exhibits works in "The Silver Shore" at GRAHAM gallery (est.1857) NYC- July 11th, 2013 6-8 pm.

"Dataclysmic 4", 2011. 22" LED screen, Digital Media Player, LEDs, steel, silicon, plastic, fiber optics, 720P HD video. dimensions variable. Gallery installation.

NEW YORK - On Thursday, July 11^th from 6 - 8PM, GRAHAM will host an opening reception for its summer exhibition, The Silver Shore. 

 Graham's contemporary program began with American realism and over the years has shifted toward abstraction. The Silver Shore is a thematically curated exhibition that pays homage to the core of our contemporary program while integrating the diverse approaches and new technologies that can be found in contemporary art today.

Among the participants are artists who have a history and association with GRAHAM, artists established on the Lower East Side, and emerging artists. From the passionate realism of Diane Andrews Hall's wave paintings to the conceptual abstraction of John Zinsser's snaking rivulets of flat paint, the exhibition as a whole has the lightness and playfulness of a summer retreat. A sound installation using live data feeds to explore the tides by Adam Bach and Ellery Royston, a floating videoscape by [dNASAb], an interactive painting on digital canvas by globHammer, boundary pushing paintings by Ryan Michael Ford and Adam Parker Smith, and elegant sculptures by Afruz Amighi and Carolyn Salas are some of the diverse methods of expression brought to bear on a single theme.

Participating artists:

Afruz Amighi, Mary Armstrong, Adam Bach, Brent Birnbaum, [dNASAb], Stoney Conley, Ryan Michael Ford, globHammer, Diane Andrews Hall, Stephen Hannock, Jim Lee, Shelly Malkin, Mary McDonnell, Bruce Monteith, Andy Moses, Anna Poor, Ellery Royston, Carolyn Salas, Eric Shaw, Adam Parker Smith, Kimber Smith, Daniel John Weiner, John Zinsser

Curated by Craig Poor Monteith 

 For additional information or to request publication quality images, please contact info@graham1857.com

[dNASAb] exhibits 2 new video sculptures in [Shoot ] at Lesley Heller Workspace gallery.

"Screenscaping #2" 2013 ,7 Channel Video Sculpture, (1) 19" LED screen, (1) 7" LCD screen (5) 3.5" LCD screens , fiber optics, printed plastic, glass, metal, Auto-start HD Media Player, 1 of 1 video/audio track.
 http://youtu.be/W8Yi0Om8Y_Q 

 Exhibition: [Shoot] at Lesley Heller Workspace
54 Orchard Street New York, NY 10002
June 5 through July 3, 2013 
Opening reception: June 5, 2013, 6-8 pm

 [dNASAb] exhibits 2 new video sculptures in [Shoot ] at Lesley Heller Workspace gallery..

 [dNASAb] creates video sculptures that are based on the aesthetics created in the destruction of the screen. He begins by purchasing a brand new screen. Takes it out of the box and breaks it. During each step of the process of breaking it he photographs, in High Definition stills, the effects. He then layers those HD stills in myriads of layers in After Effects. The resulting videos “conceptually render the brand new screens; that these films are displayed on; broken, glitch-y and useless”. He then samples the best stills of the new HD video, and extrudes them into a third dimension via archival printed plastics. He juxtaposes the plastic images with clusters of lcd screens, fiber optics, LED’s, glass, mirrors, crystals and plastics on the surface of the largest screen to create the “Screenscaping” and “Aesthetics of Decay” video sculptures.

http://dnasab.net/ 
http://www.lesleyheller.com/ 
http://www.frederieketaylorgallery.com/

New Video Sculpture in the studio 2013,"Screenscaping #3" 2013 4 Channel Video Sculpture

"Screenscaping #3" 2013 ,4 Channel Video Sculpture, (1) 19" LED screen, (3) 3.5" LCD screens , fiber optics, printed plastic, glass, metal, Auto-start HD Media Player, 1 of 1 video/audio track

[dNASAb] is participating in a panel discussion at The New School, Eugene Lang College,NYC

[dNASAb] is participating in a panel discussion "Realizing an artistic concept with the use of Technology" at The New School, Eugene Lang College,NYC moderated by John Ensor Parker, and featuring guest artists Jason Krugman, dNASAb, Pat Lay and Nurit Bar-Shai, on Thursday October 27, 6-7 pm at The New School, Eugene Lang College,65 West 11th street.