Sunday, November 24, 2013

Video documentation of the VideoSculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben".
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks120 in. x 120 in.(10 ft x 10 ft )

"The instant my mother passed away; every screen in the house-glitched-and froze, my sister says "there she is" pointing at the screen,and she was right"[dNASAb]

A site-specific video sculpture built on location in Berlin,Germany. It is comprised of 16 individual screens in the range of iPad/Tablet to iPhone/Android and iPod/non-smartphone sizes.
The 1080P HD video and audio tracks were also rendered/created in Berlin. 

It was created for the show "Paradigm Shift ,part of Cyberfest 2013,organized by Cyland Media Art Lab.
It is on long-term exhibition in Berlin,Germany at The WYE,Berlin.If you'd like to interface with the piece, I'd be delighted to arrange a visit.

Excerpt of Video Art that animated the 16 channel Video Sculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013




1:35 min excerpt of Video Art that animated the 16 channel VideoSculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD 1080p audio/video tracks 120 in. x 120 in.(10 ft x 10 ft )

"The clarity of the bubbling video goo, oozing from the cracks and melted holes in the led screen, jittered glitch-y line drawings of sadness, whilst I killed it." [dNASAb]

Site specific Berlin Video Sculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

 ""Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben".
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks.120 in. x 120 in.(10 ft x 10 ft )

A site-specific video sculpture built on location in Berlin,Germany. It is comprised of 16 individual screens in the range of iPad/Tablet to iPhone/Android and iPod/non-smartphone sizes.The 1080P HD video and audio tracks were also rendered/created in Berlin. 

It was created for the show "Paradigm Shift ,part of Cyberfest 2013,organized by Cyland Media Art Lab.
It is on long-term exhibition in Berlin,Germany at The WYE,Berlin.If you'd like to interface with the piece, I'd be delighted to arrange a visit.

16 screen Video Sculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks
120 in. x 120 in.(10 ft x 10 ft )

Video Sculpture "Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks
120 in. x 120 in.(10 ft x 10 ft )

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013

"Screenscaping Berlin _ Ästhetik des Verfalls; Design for Electronics Sterben" by [dNASAb] 2013
16 LCD screens, 48 ft of LED's,cast plastics, speakers, auto-start media players, HD audio/video tracks
120 in. x 120 in.(10 ft x 10 ft )

Monday, July 08, 2013

[dNASAb] exhibits works in "The Silver Shore" at GRAHAM gallery (est.1857) NYC- July 11th, 2013 6-8 pm.

"Dataclysmic 4", 2011. 22" LED screen, Digital Media Player, LEDs, steel, silicon, plastic, fiber optics, 720P HD video. dimensions variable. Gallery installation.

NEW YORK - On Thursday, July 11th from 6 - 8PM, GRAHAM will host an opening reception for its summer exhibition, The Silver Shore

 Graham's contemporary program began with American realism and over the years has shifted toward abstraction. The Silver Shore is a thematically curated exhibition that pays homage to the core of our contemporary program while integrating the diverse approaches and new technologies that can be found in contemporary art today.

Among the participants are artists who have a history and association with GRAHAM, artists established on the Lower East Side, and emerging artists. From the passionate realism of Diane Andrews Hall's wave paintings to the conceptual abstraction of John Zinsser's snaking rivulets of flat paint, the exhibition as a whole has the lightness and playfulness of a summer retreat. A sound installation using live data feeds to explore the tides by Adam Bach and Ellery Royston, a floating videoscape by [dNASAb], an interactive painting on digital canvas by globHammer, boundary pushing paintings by Ryan Michael Ford and Adam Parker Smith, and elegant sculptures by Afruz Amighi and Carolyn Salas are some of the diverse methods of expression brought to bear on a single theme.

Participating artists:
Afruz Amighi, Mary Armstrong, Adam Bach, Brent Birnbaum, [dNASAb], Stoney Conley, Ryan Michael Ford, globHammer, Diane Andrews Hall, Stephen Hannock, Jim Lee, Shelly Malkin, Mary McDonnell, Bruce Monteith, Andy Moses, Anna Poor, Ellery Royston, Carolyn Salas, Eric Shaw, Adam Parker Smith, Kimber Smith, Daniel John Weiner, John Zinsser

Curated by Craig Poor Monteith 
 For additional information or to request publication quality images, please contact info@graham1857.com

Friday, June 07, 2013

[dNASAb] exhibits 2 new video sculptures in [Shoot ] at Lesley Heller Workspace gallery.

"Screenscaping #2" 2013 ,7 Channel Video Sculpture, (1) 19" LED screen, (1) 7" LCD screen (5) 3.5" LCD screens , fiber optics, printed plastic, glass, metal, Auto-start HD Media Player, 1 of 1 video/audio track.
 http://youtu.be/W8Yi0Om8Y_Q 

 Exhibition: [Shoot] at Lesley Heller Workspace
54 Orchard Street New York, NY 10002
June 5 through July 3, 2013 
Opening reception: June 5, 2013, 6-8 pm

 [dNASAb] exhibits 2 new video sculptures in [Shoot ] at Lesley Heller Workspace gallery..

 [dNASAb] creates video sculptures that are based on the aesthetics created in the destruction of the screen. He begins by purchasing a brand new screen. Takes it out of the box and breaks it. During each step of the process of breaking it he photographs, in High Definition stills, the effects. He then layers those HD stills in myriads of layers in After Effects. The resulting videos “conceptually render the brand new screens; that these films are displayed on; broken, glitch-y and useless”. He then samples the best stills of the new HD video, and extrudes them into a third dimension via archival printed plastics. He juxtaposes the plastic images with clusters of lcd screens, fiber optics, LED’s, glass, mirrors, crystals and plastics on the surface of the largest screen to create the “Screenscaping” and “Aesthetics of Decay” video sculptures.

http://dnasab.net/ 
http://www.lesleyheller.com/ 
http://www.frederieketaylorgallery.com/

Wednesday, March 06, 2013

[dNASAb] will be exhibiting new photographs from 2012 at Lesley Heller Workspace Gallery NYC , Mar. 10th 2013

"Extreme feats of the New Aesthetic_Glitchhike#3" 2012 ,archival pigment print 40" h x 31.5" w , edition of 7
[dNASAb] will be exhibiting new photographs from a 2012 series entitled "Extreme feats of the New Aesthetic" at Lesley Heller Workspace gallery in the LES, 54 Orchard Street, NYC, Opens March, 10 2013 6-8 pm reception  http://www.lesleyheller.com/

New Video Sculpture in the studio 2013,"Screenscaping #3" 2013 4 Channel Video Sculpture

"Screenscaping #3" 2013 ,4 Channel Video Sculpture, (1) 19" LED screen, (3) 3.5" LCD screens , fiber optics, printed plastic, glass, metal, Auto-start HD Media Player, 1 of 1 video/audio track

Galeria Trama "Y Picasso Cogio iPad" Barcelona,Spain exhibition


Video still of "Aesthetics of Decay, Design for Dying Electronics", 2012 , HD video currently exhibited in in Barcelona,Spain at Galeria Trama "Y Picasso Cogio iPad" [and Picasso took his iPad] ,curated by Paco Barragán
Galeria Trama, Barcelona, Spain
Inaguració: "Picasso habla con Picasso"
Performance de Paco Barragán i Pedro Barbeito
dijous 25 octobre 2012 a les 19:30h

25 octubre / 27 novembre 2012

ART21 writes a review of "Colliding Complexities" show


ART21 + Nettrice Gaskins report on a group exhibition highlighting the complex intersections between art, science and technology.

http://blog.art21.org/2012/10/02/colliding-complexities_extreme-feats-of-the-new-york_new-aesthetic/#more-71149
 
Bricolage is a French word, with no direct equivalent in English. It connotes the process of finding out how to make things work, not from standard rules or methods but from messing around with whatever materials are on hand. This term suggests a sense of improvisation and tinkering that transforms the context and meaning of these objects, such as in works created by Sarah Sze. This is an important concept in contemporary art production and entrepreneurship. Michael Rush notes postmodern aesthetics discourse regarding how recent social-economic changes produce particular structures of feeling or cultural logics that are reflected in new art forms. Postmodernism also implies that we’ve run out of things to say. I think that we need to cast a much broader net to capture the spirit of the moment we’re in now; and expand definitions to capture innovative ideas such as the free use of digital images, objects and information. Holland Wilde writes that a bricoleur produces a “pieced-together set of representations that is fitted to the specifics of a complex situation…(it) is pragmatic, strategic and self-reflexive.” This blog post highlights artists and works as part of evolving creative practices that explore the spatial, social and cultural (techno­vernacular) dimensions of the material and virtual in a variety of ways. more…..